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X-WR-CALNAME:The Seagull
X-WR-TIMEZONE:Eastern Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260815T101637Z
UID:tag:localist.com\,2008:EventInstance_44517361600463
DTSTART:20240223T003000Z
DTEND:20240223T013000Z
DESCRIPTION:Anton Chekhov’s The Seagull was an astounding achievement whe
 n it premiered in Moscow in 1898\, directed by 35-year-old Konstantin Stan
 islavski for the fledgling Moscow Art Theatre. The nuance and sublimity of
  the play enabled something new\, a paradigm shift in directing and produc
 tion that was the prototype of modern theatrical staging.\n\nThe first of 
 his four great plays\, Chekhov combined the sparkling\, variegated surface
  of naturalist dialogue and activity with the moving currents of complex c
 haracter and motivation\, and he added to that a depth of theme and meanin
 g underlying it all. Early audiences marveled\, like the play’s characte
 rs do at the mysterious lake before them.\n\nThe Seagull is filled with su
 ch life\, such glimmering intelligence… and stupidity. Chekhov’s chara
 cters feel alive\, responsive\, and surprisingly spontaneous. Everyone’s
  in love\, but always with someone they can’t have or can’t keep. Them
 atically\, it’s a study of the arts and the artist\, the lack of real sa
 tisfaction to be found there\, the pretense and mediocrity that pervade th
 e practice\, and yet the power and mystery that are possible. The Seagull 
 stands historically\, legendarily\, as a realization of that possibility.
GEO:35.911841;-79.043848
LOCATION:Gillings Center for Dramatic Art\, Elizabeth Price Kenan Theatre
SUMMARY:The Seagull
URL;VALUE=URI:https://calendar.unc.edu/event/the_seagull
CATEGORIES:Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260815T101637Z
UID:tag:localist.com\,2008:EventInstance_44517361602512
DTSTART:20240224T003000Z
DTEND:20240224T013000Z
DESCRIPTION:Anton Chekhov’s The Seagull was an astounding achievement whe
 n it premiered in Moscow in 1898\, directed by 35-year-old Konstantin Stan
 islavski for the fledgling Moscow Art Theatre. The nuance and sublimity of
  the play enabled something new\, a paradigm shift in directing and produc
 tion that was the prototype of modern theatrical staging.\n\nThe first of 
 his four great plays\, Chekhov combined the sparkling\, variegated surface
  of naturalist dialogue and activity with the moving currents of complex c
 haracter and motivation\, and he added to that a depth of theme and meanin
 g underlying it all. Early audiences marveled\, like the play’s characte
 rs do at the mysterious lake before them.\n\nThe Seagull is filled with su
 ch life\, such glimmering intelligence… and stupidity. Chekhov’s chara
 cters feel alive\, responsive\, and surprisingly spontaneous. Everyone’s
  in love\, but always with someone they can’t have or can’t keep. Them
 atically\, it’s a study of the arts and the artist\, the lack of real sa
 tisfaction to be found there\, the pretense and mediocrity that pervade th
 e practice\, and yet the power and mystery that are possible. The Seagull 
 stands historically\, legendarily\, as a realization of that possibility.
GEO:35.911841;-79.043848
LOCATION:Gillings Center for Dramatic Art\, Elizabeth Price Kenan Theatre
SUMMARY:The Seagull
URL;VALUE=URI:https://calendar.unc.edu/event/the_seagull
CATEGORIES:Performances
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DTSTAMP:20260815T101637Z
UID:tag:localist.com\,2008:EventInstance_44517361605585
DTSTART:20240225T003000Z
DTEND:20240225T013000Z
DESCRIPTION:Anton Chekhov’s The Seagull was an astounding achievement whe
 n it premiered in Moscow in 1898\, directed by 35-year-old Konstantin Stan
 islavski for the fledgling Moscow Art Theatre. The nuance and sublimity of
  the play enabled something new\, a paradigm shift in directing and produc
 tion that was the prototype of modern theatrical staging.\n\nThe first of 
 his four great plays\, Chekhov combined the sparkling\, variegated surface
  of naturalist dialogue and activity with the moving currents of complex c
 haracter and motivation\, and he added to that a depth of theme and meanin
 g underlying it all. Early audiences marveled\, like the play’s characte
 rs do at the mysterious lake before them.\n\nThe Seagull is filled with su
 ch life\, such glimmering intelligence… and stupidity. Chekhov’s chara
 cters feel alive\, responsive\, and surprisingly spontaneous. Everyone’s
  in love\, but always with someone they can’t have or can’t keep. Them
 atically\, it’s a study of the arts and the artist\, the lack of real sa
 tisfaction to be found there\, the pretense and mediocrity that pervade th
 e practice\, and yet the power and mystery that are possible. The Seagull 
 stands historically\, legendarily\, as a realization of that possibility.
GEO:35.911841;-79.043848
LOCATION:Gillings Center for Dramatic Art\, Elizabeth Price Kenan Theatre
SUMMARY:The Seagull
URL;VALUE=URI:https://calendar.unc.edu/event/the_seagull
CATEGORIES:Performances
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DTSTAMP:20260815T101637Z
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DTSTART:20240225T190000Z
DTEND:20240225T200000Z
DESCRIPTION:Anton Chekhov’s The Seagull was an astounding achievement whe
 n it premiered in Moscow in 1898\, directed by 35-year-old Konstantin Stan
 islavski for the fledgling Moscow Art Theatre. The nuance and sublimity of
  the play enabled something new\, a paradigm shift in directing and produc
 tion that was the prototype of modern theatrical staging.\n\nThe first of 
 his four great plays\, Chekhov combined the sparkling\, variegated surface
  of naturalist dialogue and activity with the moving currents of complex c
 haracter and motivation\, and he added to that a depth of theme and meanin
 g underlying it all. Early audiences marveled\, like the play’s characte
 rs do at the mysterious lake before them.\n\nThe Seagull is filled with su
 ch life\, such glimmering intelligence… and stupidity. Chekhov’s chara
 cters feel alive\, responsive\, and surprisingly spontaneous. Everyone’s
  in love\, but always with someone they can’t have or can’t keep. Them
 atically\, it’s a study of the arts and the artist\, the lack of real sa
 tisfaction to be found there\, the pretense and mediocrity that pervade th
 e practice\, and yet the power and mystery that are possible. The Seagull 
 stands historically\, legendarily\, as a realization of that possibility.
GEO:35.911841;-79.043848
LOCATION:Gillings Center for Dramatic Art\, Elizabeth Price Kenan Theatre
SUMMARY:The Seagull
URL;VALUE=URI:https://calendar.unc.edu/event/the_seagull
CATEGORIES:Performances
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DTSTAMP:20260815T101637Z
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DTEND:20240226T013000Z
DESCRIPTION:Anton Chekhov’s The Seagull was an astounding achievement whe
 n it premiered in Moscow in 1898\, directed by 35-year-old Konstantin Stan
 islavski for the fledgling Moscow Art Theatre. The nuance and sublimity of
  the play enabled something new\, a paradigm shift in directing and produc
 tion that was the prototype of modern theatrical staging.\n\nThe first of 
 his four great plays\, Chekhov combined the sparkling\, variegated surface
  of naturalist dialogue and activity with the moving currents of complex c
 haracter and motivation\, and he added to that a depth of theme and meanin
 g underlying it all. Early audiences marveled\, like the play’s characte
 rs do at the mysterious lake before them.\n\nThe Seagull is filled with su
 ch life\, such glimmering intelligence… and stupidity. Chekhov’s chara
 cters feel alive\, responsive\, and surprisingly spontaneous. Everyone’s
  in love\, but always with someone they can’t have or can’t keep. Them
 atically\, it’s a study of the arts and the artist\, the lack of real sa
 tisfaction to be found there\, the pretense and mediocrity that pervade th
 e practice\, and yet the power and mystery that are possible. The Seagull 
 stands historically\, legendarily\, as a realization of that possibility.
GEO:35.911841;-79.043848
LOCATION:Gillings Center for Dramatic Art\, Elizabeth Price Kenan Theatre
SUMMARY:The Seagull
URL;VALUE=URI:https://calendar.unc.edu/event/the_seagull
CATEGORIES:Performances
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DTSTAMP:20260815T101637Z
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DESCRIPTION:Anton Chekhov’s The Seagull was an astounding achievement whe
 n it premiered in Moscow in 1898\, directed by 35-year-old Konstantin Stan
 islavski for the fledgling Moscow Art Theatre. The nuance and sublimity of
  the play enabled something new\, a paradigm shift in directing and produc
 tion that was the prototype of modern theatrical staging.\n\nThe first of 
 his four great plays\, Chekhov combined the sparkling\, variegated surface
  of naturalist dialogue and activity with the moving currents of complex c
 haracter and motivation\, and he added to that a depth of theme and meanin
 g underlying it all. Early audiences marveled\, like the play’s characte
 rs do at the mysterious lake before them.\n\nThe Seagull is filled with su
 ch life\, such glimmering intelligence… and stupidity. Chekhov’s chara
 cters feel alive\, responsive\, and surprisingly spontaneous. Everyone’s
  in love\, but always with someone they can’t have or can’t keep. Them
 atically\, it’s a study of the arts and the artist\, the lack of real sa
 tisfaction to be found there\, the pretense and mediocrity that pervade th
 e practice\, and yet the power and mystery that are possible. The Seagull 
 stands historically\, legendarily\, as a realization of that possibility.
GEO:35.911841;-79.043848
LOCATION:Gillings Center for Dramatic Art\, Elizabeth Price Kenan Theatre
SUMMARY:The Seagull
URL;VALUE=URI:https://calendar.unc.edu/event/the_seagull
CATEGORIES:Performances
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